GuruBar exhibition, Athens 2007Music concerts, museums' exhibitions or galleries' shows are primarily experienced in a state of contemplation, a form of unique awarness (optical or acoustic), of a single viewer.
Precise codes of behavior, such as silence and reverence, preoccupy a dipole such as ''artist- viewer'' or furthermore ''produser-consumer''.This relation recognizes a kind of authority for the creator and against the viewer.
Why can't we just kiss the pianist, play with Duchamp's objects or masturbate in front of Mona Lisa?
The Aνbelievers (Athens 2009)

The unbeliever (GuruBar exhibition, Athens 2008)

Η νηστεία (GuruBar exhibition, Athens 2008)

Ex-padre (Volos 2008)

The ceremony (Volos 2007)

I've seen the sean, Εκπληξη exhibition, Τexnopolis, Athens 2009.

Religion is the display of human stupidity.
Sometimes i'm so stupid that i even feel like God.

The unbeliever (GuruBar exhibition, Athens 2008)

Η νηστεία (GuruBar exhibition, Athens 2008)

Ex-padre (Volos 2008)

The ceremony (Volos 2007)

I've seen the sean, Εκπληξη exhibition, Τexnopolis, Athens 2009.

Religion is the display of human stupidity.
Sometimes i'm so stupid that i even feel like God.
Graffiti seems to be agressive towards its surroundings.Most of the times, it looks like a colorful pollution that asserts a visual awarness in order to eradicate the urban backround.
(this is what the outline/second outline stands for, the separation between graffiti and its ''canvas'')
However, there are exceptions in which space is a major matter of drawing, concerning forms, light and theme.These are a few examples of spatial/sensual/semantic gaps that give to the backround the opacity it deserves.
gettin up
untitled
half fairy
the pianist
breath installation

(parts of ''NoObject +1'', mixed media animation in Vamvakourgia.Volos 2007)
(this is what the outline/second outline stands for, the separation between graffiti and its ''canvas'')
However, there are exceptions in which space is a major matter of drawing, concerning forms, light and theme.These are a few examples of spatial/sensual/semantic gaps that give to the backround the opacity it deserves.
gettin up
untitled
half fairy
the pianist
breath installation
(parts of ''NoObject +1'', mixed media animation in Vamvakourgia.Volos 2007)

































